the shadows of Islamabad


The Shadows of Islamabad

A Psychological Horror Novella

By Faraz Parvez

(Pseudonym of Professor Dr. Arshad Afzal)
Former Faculty Member, Umm Al-Qura University, Makkah, KSA

📚 Category: Fiction & Literature
🌐 Published on: themindscope.net


Chapter 1: The Unsettling Delivery

The package arrived on a humid Tuesday afternoon, its brown paper wrapping slick with moisture from the monsoon rains. Zainab Khan, a 32-year-old journalist based in Islamabad, found it leaning against her apartment door. There was no return address, just her name scrawled in thick, black ink.

“Odd,” she muttered, turning the package over in her hands. The weight was unusual—light but dense, as if it contained something alive. She hesitated, her journalist’s curiosity warring with a sudden, inexplicable dread.

Inside her modest apartment, she set the package on the kitchen table. The room was dim, the only light coming from the flickering bulb above. Zainab grabbed a pair of scissors and sliced through the tape with practiced precision.

The box contained a single item: a small, intricately-carved wooden doll. Its face was hauntingly realistic, with wide, empty eyes and a mouth frozen in a silent scream. The craftsmanship was exquisite, but there was something unsettling about it—a feeling that it was watching her.

A slip of paper fell out of the box. It read: “For Zainab. You’ll understand soon.”

She laughed nervously, trying to shake off the unease. “It’s just a doll,” she told herself. But as she turned away, she could have sworn the doll’s eyes followed her.


Chapter 2: The Whispering Streets

That night, Zainab couldn’t sleep. The doll sat on her dresser, its presence like a weight in the room. The rain outside grew heavier, clattering against the windows like tiny, insistent hands.

Around midnight, she heard it.

A whisper.

At first, she thought it was the wind. But as she listened, the sound grew clearer—a soft, rhythmic chant in a language she didn’t recognize. It seemed to come from all around her, echoing in the walls, the floor, even inside her head.

She sat up, her heart pounding. The doll’s eyes glinted in the dim light, its expression somehow darker, more sinister.

“This is ridiculous,” she muttered, grabbing the doll and shoving it into a drawer. She climbed back into bed, pulling the covers tightly around her. But the whispers didn’t stop.

They continued until dawn, a relentless, maddening drone.


Chapter 3: The Neighbor’s Visit

The next morning, Zainab was exhausted. She’d barely slept, and the whispers had left her with a splitting headache. She was brewing a strong cup of chai when there was a knock at the door.

It was her neighbor, Mrs. Akhtar, an elderly woman with kind eyes and a perpetual smile.

“Beta, are you okay?” the old woman asked, peering at her with concern. “You look like you haven’t slept.”

Zainab forced a smile. “Just a rough night.”

Mrs. Akhtar hesitated, then said, “I heard strange noises last night. Like… whispers. Coming from your apartment.”

Zainab’s blood ran cold. “You heard them too?”

The old woman nodded, her expression grim. “Be careful, beta. Sometimes, things come into our lives that we don’t understand—things that shouldn’t be here.”

Zainab wanted to ask what she meant, but Mrs. Akhtar had already turned and shuffled back to her apartment.


Chapter 4: The Hidden History

Determined to unravel the mystery, Zainab began researching the doll. She spent hours scouring the internet, looking for clues about its origins.

The break came when she stumbled upon an old article in a local newspaper. It described a series of bizarre events that had occurred in Islamabad in the 1980s—people reporting whispers in the night, nightmares, and, in some cases, unexplained deaths. The incidents were linked to a wooden doll, crafted by a reclusive artist who had vanished without a trace.

According to the article, the doll was said to be cursed, a vessel for a malevolent spirit that thrived on fear and despair.

“Great,” Zainab muttered, leaning back in her chair. “I’ve inherited a cursed doll.”

But as much as she wanted to dismiss it as superstition, the whispers and Mrs. Akhtar’s warning were hard to ignore.


Chapter 5: The Visit to the Old Town

The artist, according to the article, had lived in Islamabad’s Old Town—a labyrinth of narrow streets and crumbling buildings. Zainab decided to visit, hoping to find someone who might know more about the doll.

The Old Town was a different world, frozen in time. She wandered the streets, asking about the artist, but most people either didn’t remember or refused to talk.

Finally, she found an old man sitting outside a dilapidated shop. His eyes were cloudy with cataracts, but he perked up when she mentioned the doll.

“Ah, the Dollmaker,” he said, his voice trembling with age. “He was a strange man. Some say he made deals with dark forces to bring his creations to life.”

“What happened to him?” Zainab asked.

The old man shook his head. “He disappeared. But his creations… they’re still out there. Be careful, child. Once the doll chooses you, it doesn’t let go.”


Chapter 6: The Growing Darkness

That night, the whispers returned, louder and more insistent than before. Zainab tried to ignore them, but they seemed to crawl under her skin, filling her with a deep, gnawing dread.

She opened the drawer where she’d hidden the doll. Its eyes seemed to glow in the darkness, its expression almost… smug.

“What do you want from me?” she whispered, her voice trembling.

The whispers stopped, replaced by a single, chilling word:

“Everything.”


Chapter 7: The Descent into Madness

Over the next few days, Zainab’s life unraveled. She saw things—shadows moving in the corner of her eye, figures standing in the rain outside her window. The whispers became a constant presence, drowning out her thoughts until she could barely think.

She stopped going to work, stopped answering her phone. Her apartment became a prison, the doll its silent, malevolent warden.

One night, she broke. She grabbed the doll and hurled it across the room. It hit the wall with a sickening crack, but when she picked it up, there was no damage. The doll’s face seemed to twist into a cruel smile.

“Leave me alone!” she screamed, tears streaming down her face.

The whispers grew louder, filling the room until she couldn’t breathe.


Chapter 8: The Final Confrontation

In desperation, Zainab returned to the Old Town. She found the old man still sitting outside the shop.

“Help me,” she begged, showing him the doll. “How do I get rid of it?”

The old man looked at her with pity. “The Dollmaker’s creations cannot be destroyed. But there is one way to break the curse.”

“How?”

“You must find the source of the whispers. Confront the spirit that binds it.”

That night, Zainab followed the whispers to an abandoned building on the outskirts of Islamabad. The air was thick with the scent of decay, and the walls seemed to pulse with a dark energy.

Inside, she found a room filled with wooden dolls, their eyes gleaming in the darkness. At the center was the Dollmaker—or what was left of him. His body was withered and twisted, his hands still carving a new doll.

“You’ve come,” he rasped, his voice echoing with the whispers.

“Let me go,” Zainab pleaded.

The Dollmaker smiled. “You are mine now. Just like the others.”

But Zainab wasn’t ready to give up. She grabbed a piece of broken wood and drove it into the Dollmaker’s chest. He let out a howl of rage, his body crumbling to dust.

The whispers stopped.


Epilogue: The Silence

Zainab returned to her apartment, exhausted but free. The doll was gone, and the whispers had finally stopped. But as she lay in bed, she couldn’t shake the feeling that something was still watching her.

On her dresser, a tiny, wooden hand reached out from the shadows.


🌙 A Weekend Treat for Our Readers

Dear readers,
The Shadows of Islamabad is offered as a weekend literary gift—a tale meant to unsettle, intrigue, and linger long after the final line.

For more original fiction, psychological horror, geopolitics, mysticism, education, and deep-thinking essays, visit:

🔗 www.themindscope.net


✍️ Author Credentials

Faraz Parvez
(Pseudonym of Professor Dr. Arshad Afzal)
Former Faculty Member, Umm Al-Qura University, Makkah, KSA

📖 Published exclusively on themindscope.net

Leave a Reply

Your email address will not be published. Required fields are marked *

Dr. Arshad Afzal

Trending Posts

The top degrees

  The Top Degrees for Future-Proof Careers in the Age of AI By Professor Dr. (R) Arshad Afzal Former Faculty Member, Umm Al-Qura University, Makkah,

Read More Âť

Related Posts